杏吧直播

• Biography/ Background

   

  Anne Pender holds the Kidman Chair in 杏吧直播n Studies and is Director of the JM Coetzee Centre for Creative Practice. Anne is currently a Chief Investigator on a large ARC Linkage Project entitled Comedy Country: 杏吧直播n Performance Comedy as an Agent of Change. Anne was National Library of 杏吧直播 Fellow, 2021, Fulbright Senior Fellow at Harvard 杏吧直播 in 2018, and is a former 杏吧直播n Research Council Future Fellow 2012-2016. A Menzies Scholar to Harvard and graduate of the 杏吧直播n National 杏吧直播, the 杏吧直播 of New South Wales and Harvard 杏吧直播, Anne was Visiting Distinguished Professor in 杏吧直播n Studies at the 杏吧直播 of Copenhagen in 2011-2012 and taught 杏吧直播n Literature at King’s College London in 2002-2003. Anne’s books include Seven Big 杏吧直播ns: Adventures with Comic Actors (2019), Players: 杏吧直播n Actors on Stage, Television and Film (2016),  (2013), One Man Show: The Stages of Barry Humphries (2010), Nick Enright: An Actor’s Playwright (2008) and Christina Stead: Satirist (2002).

  
  

• Qualifications

   

  Doctor of Philosophy, 杏吧直播 of New South Wales ADFA, 1998

   

  Master of Education, Harvard 杏吧直播, 1991

   

  Graduate Diploma in Editing and Publishing, Macquarie 杏吧直播, 1991

   

   Bachelor of Arts (First Class Honours, English), 杏吧直播n National 杏吧直播, 1986

   

• Awards & Achievements

   

  ·      National Library of 杏吧直播 Fellowship 2021

  ·      Fulbright Senior Fellowship Harvard 杏吧直播 2018

  ·      杏吧直播n Bicentennial Fellowship, King’s College London 2016

  ·      National Film and Sound Archive Scholar in Residence Fellowship 2013-2014 

  ·      Distinguished Visiting Chair, 杏吧直播n Studies, 杏吧直播 of Copenhagen 2011-2012

  ·      杏吧直播 of New England VC’s Award for Excellence in Research 2009

  ·      杏吧直播n Bicentennial Fellowship, King’s College London 2006 

  ·      Joan Rydon Fellowship, King’s College London 2003

  ·      Ria de Groot Prize and 杏吧直播n Academy for the Humanities Grant 1998, 2001

   

   

• Publications

  Selected Publications

  Biography, History and Democracy: Contemporary Writing about 杏吧直播n Lives', Journal of 杏吧直播n Studies, vol. 48, no 2, 2024, pp. 165-178.

  Anne Pender, Tiffany Knight, Sarah Peters and Mark Seton, Book Chapter ‘Wellbeing for Student Actors: #MeToo and New Initiatives in the 杏吧直播n Tertiary Drama Curriculum’ in New Research and Possibilities in Wellbeing Education ed. Mathew White, Faye McCallum and Christopher Boyle, Springer, 2023, pp. 91-112.

   

   ‘Joan Dorothy Long’, 杏吧直播n Dictionary of Biography.

  杏吧直播 and China at 50: The New Wave Theatre and the Drama of Cultural Exchange, Journal of 杏吧直播n Studies, 2022.

  'Sustained Personal Contact: Recent 杏吧直播n Productions on Tour in China', Australasian Drama Studies, 78, 2021, pp. 195-223. 

  'Geraldine Brooks, Historical Fiction and 杏吧直播n Writers in the US', Journal of the Association for the Study of 杏吧直播n Literature, Vol 20, No. 2, 2020, pp. 1-12.

  'Courage: On the Record with Geraldine Brooks', Harvard Review Online, 6 June 2019.

  , Monash 杏吧直播 Publishing, Melbourne, 2019.

  'John Clarke: The Man, the Mask and the Problem of Acting', Journal of Comedy Studies, Spring, 2019, pp. 1-13.

  'The Internationalists: 杏吧直播n Writers, Expatriates and the Greek Experience', Journal of the Association for the Study of 杏吧直播n Literature, 19, 1, 2019, pp. 1-11.

  Robyn Nevin, Patrick White and the Art of the Modern in 杏吧直播n Theatre, , 71, October, pp. 68-88, 2017.

  Players: 杏吧直播n Actors on Stage, Television and Film, A Series of Biographical Essays, AustLit Online, 2016.

  ‘Theatre Animals: Sumner Locke Elliott's Invisible Circus’, , 68, April, pp. 54-74, 2016.

  'Learning to Act: Tony Sheldon's Emotional Training in 杏吧直播n Theatre', Humanities 2016, 5(3), 72; 

  Good Works: An Introduction, in Good Works, by Nick Enright, Currency Press, Sydney, pp. vii-xiii, 2015.

  The One Day of the Year, Essay, Reading 杏吧直播, 2015, https://readingaustralia.com.au/essays/the-one-day-of-the-year/

  ‘Worlds Within: Hayes Gordon, Zika Nester, Henri Szeps and the Transformations of 杏吧直播n Theatre’, Journal of the Association for the Study of 杏吧直播n Literature, 15, 3, pp. 1-12, 2015.
  
  Actors and Heroes: My Brother Jack and the Great War on Television, Metro Magazine, No 184, Autumn 2015, pp. 96-101.

  Portraits of Actors: Elspeth Ballantyne, Julia Blake and the Challenges of Biography, About Performance, No 13, 2015, pp.165-182, 2015.'
  
  Eat, Pray, Laugh!': Barry Humphries, Reg Livermore and Cross-dressed 杏吧直播n Burlesque, Australasian Drama Studies,Vol 63, October, pp. 69-83, 2013.
  
  From a Distant Shore: 杏吧直播n writers in Britain 1820-2012, by Bruce Bennett and Anne Pender, Monash 杏吧直播 Publishing, 2013.
  
  'Kerry Walker, Patrick White and the Faces of 杏吧直播n Modernism', Coolabah (9), p. 75-87, 2012.
  
  One Man Show: The Stages of Barry Humphries, ABC Books, 2010.
  
  "The Rude Rudiments of Satire‚: Barry Humphries‚ Humour", A Serious Frolic: Essays on 杏吧直播n Humour, ed. Peter Kirkpatrick and Fran de Groen, UQP, pp. 189-201, 2009.
  
  Nick Enright: An Actor's Playwright, co-edited with Susan Lever, Rodopi, Amsterdam, New York, 2008.
  
  "Nick Enright: A Life in Theatre", Nick Enright: An Actor's Playwright. ed Anne Pender and Susan Lever, Amsterdam/New York, pp. 17-26, 2008.
  
  "Summer Rain: Sweet Nostalgia", (co-authored with Susan Lever) Nick Enright: An Actor's Playwright. ed Anne Pender and Susan Lever, Amsterdam/New York, pp. 173-184, 2008.

  "Modernist Madonnas: Dorothy Todd, Madge Garland and Virginia Woolf", in Women's History Review, Vol. 16, No. 4, pp. 519-533, 2007.

  'The Mythical 杏吧直播n: Barry Humphries, Gough Whitlam and "New Nationalism"', March 2005, 杏吧直播n Journal of Politics and History, 51, 1, pp. 67-78.

  Christina Stead Satirist, Common Ground, Melbourne, 2002.

Entry last updated: Thursday, 31 Oct 2024

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