'Ilm: Science, Religion and Art in Islam
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Chapter details
PART I:ʿAS SCIENCE
1. Polarisingʿ: Science and religion in early modern Islam
Samer Akkach
ٰ:2. Science and Art: Anatomical illustrations in early Islamic optics
Perri Sparnon
ٰ:3. The imperial Mughal hunt as a pursuit of knowledge
Shaha Parpia
ٰ:4. The House of Stars: Astronomy and the architecture of new science in early modern Lucknow (1831-49)
Katharine Bartsch and Peter Scriver
ٰ:PART II: ʿ'ILMAS RELIGION
5. ‘By the pen!’: Spreadingʿin Indonesia through Quranic calligraphy
Virginia Hooker
ٰ:6. The Islamisation ofʿ: Ideals and realities in a globalised world
SM Mehboobul Hassan Bukhari
ٰ:7. In between the mind and the heart: Kātip Çelebi’s concept ofʿ
Selen Morkoç
ٰ:8.ʿand the human body: Al-Suhrawardī’s concept of the illuminated temple
Faris Hajamaideen
ٰ:PART III:ʿAS ART
9.ʿand the ‘architecture of happiness’: The Ottoman imperial palace at Edirne/Adrianople, 1451-1877
Susan Scollay
ٰ:10.ʿor fashion? The question of identity in the batik designs of Java
James Bennett
ٰ:11. Curatingʿ: Chapter or bridge?
Sam Bowker
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This edited volume of chapters resulted from an international conference held at the Ӱֱ of Adelaide in July 2016 under the same title to explore the multifaceted concept ofʿin Islam — its agency and manifestations in the connected realms of science, religion, and the arts. The aim is to explore the Islamic civilisational responses to major shifts in the concept of ‘knowledge’ that took place in the post-mediaeval period, and especially within the context of the ‘early modern’.
From the perspective of this volume, as shown by the multiple perspectives of the authors, the true value of knowledge lies in its cross-civilisational reach, as when the development of knowledge in pre-modern Islam exerted profound changes onto the Europeans, whose resurgence in the early modern period has in turn forced massive changes onto the Islamic worldview and its systems of knowledge. Now the landscape of knowledge has significantly changed, the Muslim mind, which has been historically calibrated to be particularly sensitive towards knowledge, can and should open to new horizons of knowing where science, religion, and art can meet again on freshly cultivated and intellectually fertile grounds.
About the editor
Samer Akkachis an established scholar in two fields of study, architectural history and theory, and Islamic studies, and has a cross-cultural background, interdisciplinary research interests, and a unique mix of expertise. Hefounded the Centre for Asian and Middle Eastern Architecture (CAMEA) in 1997. His scholarly publications includeCosmology and Architecture in Premodern Islam: An Architectural Reading of Mystical Ideas(2005),‘Abd al-Ghanī al-Nābulusī: Islam and the Enlightenment(2007), and, most recently,Damascene Diaries: A Reading of the Cultural History of Ottoman Damascus in the Eighteenth Century(2015).